Reagan's work blends traditional woodworking with digital fabrication, casting, hand-building, and surface manipulation. Her process often begins with discarded lumber, which is then carved, CNC milled, or embedded with alternative materials: toy parts, plastic embellishments, stickers, found objects, cast elements, etc. 

This layering and blending of materials and processes allows the work to shift between reverence and satire; placing industrial remnants in conversation with craft histories and queer aesthetics. Each piece becomes a site of contradiction:  where labor meets the absurd, where sacred meets the tacky, and where we honor the inherent fluidity of materials and identities.