Reagan's work blends traditional woodworking with digital fabrication, casting, hand-building, and surface manipulation. Her process often begins with discarded lumber, which is moved between hand-carving and CNC milling, or embedded with alternative materials such as toy parts, plastic embellishments, stickers, found objects, and cast elements. 

This layering and blending of materials and processes allows the work to shift between reverence and humor; placing contemporary technology in conversation with Western art history and ideals. Each piece becomes a site of contradiction: where labor meets the absurd, where sacred meets the tacky, and where we honor the inherent fluidity of materials and identities.