Reagan's work blends traditional woodworking techniques with digital fabrication, casting, hand-building, and surface manipulation. Her process always begins with domestic construction materials like 2x4s or Douglas Fir fence posts. They are moved between hand-carving, traditional joinery, CNC milling, then embedded with alternative materials and surface treatments. 

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2x4s are load-bearing materials installed to provide structural support and then hidden once they’re in place. Their use as primary material in Reagan's work reflects what is expected to carry weight while being relegated and treated as valueless.

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Each piece becomes a site of contradiction where blue-collar labor confronts Western art history ideals and where relegation meets reverence; showing us labor and grief out in the open.