Reagan's work blends traditional woodworking with digital fabrication, hand building, and surface manipulation. Her process often begins with discarded lumber, which is then carved, CNC milled, and embedded with alternative materials: toy parts, plastic embellishments, stickers, found objects, cast elements, etc. 

This layering, carving, and blending of materials allows the work to shift between reverence and satire—placing industrial remnants in conversation with craft histories and queer aesthetics. Each piece becomes a site of contradiction:  where labor meets the absurd, where sacred meets the tacky, and where we honor the inherent fluidity of materials and identities.